ISSUE 6
Zeke Shomler
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The More I See, The More I Cannot Look Away
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The time has come for salmonberries,
horsetails with their fine green plant-threads hanging
taut from stems, then slack at the edges. Somewhere beyond
the permanency of language, the past
is a game I like to play. I look back at my mother as she picks
berries in the dentist’s parking lot, knees
bent before a bright green plastic mixing bowl
like an offering. I am trying
to unlearn this marrowed shame that has affixed itself
between my shoulder-blades, to know this dirt-scent
not as ruin but rebirth. Every day I stop myself
from plucking petals off the arctic roses—it’s habitual,
this pulling things apart, these fingers grasping
every fresh pink thing that strikes me. The sky,
orange with wildfire, asks a question
not addressed to any living thing. I walk unhurried
toward the lake, the slaughtered meat of ungulates
nipping at my heels and asking for remembrance. Beneath
my feet, the forest breathes and suckles
like a newborn.
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Geomorphology
We climb down to the river on our hands
and knees, catchflies and sweetvetch
sharpening their scent like the stone you hold
to chip away small fragments
of another stone. There’s the drowning place,
you say, pointing with your outstretched hand,
where animals go to die. In dark and clay-rich
mud, rocks assert their transformations:
wood grains, quartzite crystals, rivulets
like dripping melted glass. There must be
fossils here, memory of animals
embedded in the earth, not life
but something much more thankless,
more enduring, proof of continuity
between this moment and the next, like a vow,
like the dandelion closing on its yellow
to prepare white seed-tufts for release.
Now, after the solstice, darkness starts
to creep again, slowly at first, then suddenly,
the way you fall asleep between my arms. Glacial silt
churns the river brown, rushing
toward the Beaufort Sea where bones of whales
compress to bioclastic limestone, where every fault
will shift, erupt, where every dirt-sweet life I hold
will crumble into sand. This is how I love you:
as the river loves the valley, as the valley
loves the bedrock, as the bedrock melts
and turns to magma, as the magma morphs
in darkness underneath our feet.
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Zeke Shomler is an MA/MFA candidate at the University of Alaska Fairbanks. His work has appeared in Folio, Cordite, Sierra Nevada Review, and elsewhere.